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See, for example, 1
by marijuana and the other mind-expanding drugs lend
themselves to this form of art. When I'm stoned, my mind leaves the linear
plane and moves into new dimensions. Montage and synthesis are the media
of perception and expression.
The images are symbolic and mosaic, rather
than logical and linear. The new art requires participation. You have to get
into it for it to work fully. Pot puts the artist in touch with his unconscious,
permitting him to explore truths about himself which his ego has kept
hidden. Even the audience is expanding its conscious by becoming more
involved in the art. Marijuana is an important catalyst in this evolutionary
(8 of 22)4/15/2004 1:03:59 AM
The Marijuana Smokers - Chapter 4
Many of the drug's critics, particularly the psychiatrically oriented, discount its "mind
expanding" qualities and its favorable impact on the artistic imagination.
... marihuana... allegedly augments creativity, but there are no valid data in
support of this contention.
On a substantial number of occasions creative
people have deliberately been given marihuana and asked to carry out and
interpret their artistic activity under the drug's influence.
In the majority of
cases, during the actual period of marihuana intoxication they felt that their
creative activities were enhanced. However, almost uniformly, when the
effects of the marihuana had dissipated and they again viewed their creative
activities, they found that in actuality they had done very badly, a judgment
substantiated by impartial observers.... for most people there is no true
increase in aesthetic sensitivity Dragon leaf keyboard
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under the influence of the drug and that in
general such effects, if valid, would be limited to those who would
ordinarily score high on tests designed to measure aesthetic appreciation.
Most artist-users view this assertion as being overly literal-minded; few would expect
any artist, in a laboratory situation, high on the drug, to produce a work of art of high
quality. Aside from being misleading because it is artificial and mechanical, the
experimental situation cited above is deficient in that it does not account for working
while high as being one of number of possible methods. Few artists actually do all of their
work under the influence of the drug. Many, however, use it as an adjunct to their work.
Some, for instance, use the high experience as a resource for insight and imagination
drawn upon at a later time. One of our respondents, a twenty-year-old painter, said: "I
can't paint when I'm high—too many things are happening in my head; I can't make a
brush stroke because I can't make a decision.
" Yet, at the same time, he felt that having
been exposed to the thought processes associated with the drug experience had enriched
his artistic work.
Another style is to do some work while high, refine and revise when "normal." The
argument goes, one is able to take advantage of the greater flow of ideas in the intoxicated
NEW CANNABINOID TRANSFORMATIONS
Many interesting isomerizations and transformations have been observed in
cannabinoids, due to the presence of double bonds, free phenolic groups and cis
or trans ring junctions
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Light and Heavy Total users both peaking sharply at the Fairly/Strongly level. Meditators tend to rate all
intoxication levels about equally and average a lower minimal level, while ordinary Users and the
Therapy and Growth group peak sharply at the Fairly/Strongly level (p <.05, overall).
(2 of 6)4/15/2004 7:05:59 AM
On Being Stoned - Chapter 7
Figure 7-2. AUDITORY SPACE CHANCES
Note.—For guide to interpreting the "How Stoned" graph,
see note on Figure 6-1.
A common effect is imagery
enhancement: "If I try to have an
auditory image, hear something in my
mind, remember a sound, it is more vivid
than when straight" (16%, 7%, 26%,
27%, 20%), which occurs at Moderate
levels of intoxication (9%, 33%, 27%,
7%, 3%). The Meditators and the
Therapy and Growth group experience it
less often than the ordinary users (p
< .01, overall), as do the older users (p
<.05). Further, Meditators report a
somewhat higher level of intoxication for
this experience than the other two groups
(p <.05, overall).
Hearing Your Own Voice
One source of sound commonly heard to change by marijuana users is their own voices: "The sound
quality of my own voice changes, so that I sound different to myself when I talk" (15%, 19%, 27%, 17%,
19%), mostly at the Strong level of intoxication (5%, 18%, 31%, 19%, 7%). Comments by my informants
indicate that this is probably a perceptual change, not an actual change in voice quality. It occurs more
frequently among the Younger group (p <.05).
One of the most exotic phenomena associated with drugs is synesthesia, the experience of another
sensory modality than the one actually stimulating the person. Visual sensation in conjunction with
auditory stimulation is a common effect of marijuana: "Sounds have visual images or colors associated
with them, synchronized with them" (20%, 23%, 33%, 16%, 7%). It occurs at high levels of intoxication
(1%, 10%, 25%, 19%, 19%). Males report having to be more intoxicated to experience synesthesia than
females (p <.05).
(3 of 6)4/15/2004 7:05:59 AM
On Being Stoned - Chapter 7
A number of users offered additional effects on hearing.
Two mentioned ringing sounds: (1) "Ringing in my ears" (Sometimes, Very Strongly), and (2) "There's
a loud buzz sound, like airplane motors, filling the air" (Sometimes, Maximum).
"When I listen to certain kinds of music (especially serious music) when stoned, it becomes incredibly
more sensual and profound" (Sometimes, Maximum).
"When listening to music, my mind can become completely absorbed by sound to the extent that my
body is writhing, but entirely disconnected from my mind" (Sometimes, Very Strongly).
"While chanting mantras, rhythmic continuity is more sensuous and secure" (no specification of
frequency or level).
"Admiration for the intrinsic knowledge musicians and composers have of the effect of their sounds on
people's total being" (Very Often, Fairly).
, 94, 7930 (1972)
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