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by marijuana and the other mind-expanding drugs lend
themselves to this form of art. When I'm stoned, my mind leaves the linear
plane and moves into new dimensions. Montage and synthesis are the media
of perception and expression. The images are symbolic and mosaic, rather
than logical and linear. The new art requires participation. You have to get
into it for it to work fully. Pot puts the artist in touch with his unconscious,
permitting him to explore truths about himself which his ego has kept
hidden. Even the audience is expanding its conscious by becoming more
involved in the art. Marijuana is an important catalyst in this evolutionary
(8 of 22)4/15/2004 1:03:59 AM
The Marijuana Smokers - Chapter 4
Many of the drug's critics, particularly the psychiatrically oriented, discount its "mind
expanding" qualities and its favorable impact on the artistic imagination.
... marihuana... allegedly augments creativity, but there are no valid data in
support of this contention. On a substantial number of occasions creative
people have deliberately been given marihuana and asked to carry out and
interpret their artistic activity under the drug's influence. In the majority of
cases, during the actual period of marihuana intoxication they felt that their
creative activities were enhanced. However, almost uniformly, when the
effects of the marihuana had dissipated and they again viewed their creative
activities, they found that in actuality they had done very badly, a judgment
substantiated by impartial observers.... for most people there is no true
increase in aesthetic sensitivity under the influence of the drug and that in
general such effects, if valid, would be limited to those who would
ordinarily score high on tests designed to measure aesthetic appreciation.
Most artist-users view this assertion as being overly literal-minded; few would expect
any artist, in a laboratory situation, high on the drug, to produce a work of art of high
quality. Aside from being misleading because it is artificial and mechanical, the
experimental situation cited above is deficient in that it does not account for working
while high as being one of number of possible methods. Few artists actually do all of their
work under the influence of the drug. Many, however, use it as an adjunct to their work.
Some, for instance, use the high experience as a resource for insight and imagination
drawn upon at a later time. One of our respondents, a twenty-year-old painter, said: "I
can't paint when I'm high—too many things are happening in my head; I can't make a
brush stroke because I can't make a decision." Yet, at the same time, he felt that having
been exposed to the thought processes associated with the drug experience had enriched
his artistic work.
Another style is to do some work while high, refine and revise when "normal." The
argument goes, one is able to take advantage of the greater flow of ideas in the intoxicated
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It is apparent that the mechanism of the verbenol route (Chart 1 6-THC
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, 94, 7930 (1972) E Mailgooglecom Excessive nutes will also make the buds hard to burn. Plants need fertilizer to grow and mature so you want to wait right before you are going to harvest and give them plain water. They will use up the ferts they have stored and will not slow down noticeably.
If you are using hydro start clearing 3 to 7 days before harvest.
This can be done by changing the solution and using only plain water.
Some growers will change the solution twice because the rockwool or grow rocks may hold a little.